Look Lab

Turn reference photos into a Sony Picture Profile recipe, a Lightroom preset, a Capture One style, and a log LUT.

1Reference images

Drop images here or click to choose
Or paste one: right-click an image online → Copy Image, then press ⌘V / Ctrl+V on this page

Use 3–6 images in the look you want. Different subjects work better than several of the same scene.

2Dial in the look

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Saved looks

Saving keeps this look's name, slider settings and strength in this browser, so you can come back to it or switch between looks. Reference images aren't saved. To use a look on another computer or share it, export it as a .json file and import it there.

Preview

Before After

Drag across the image to compare before and after. Loupe zooms in 2× on the look. The preview is a close approximation, so take a test shot in camera and adjust.

3Export

Free: confirm your email once to copy the recipe and unlock every download, on every look you make.

For older Sony bodies without Creative Looks (a6000–a6600, a7 II/III, a7R III/IV, RX100 V–VII). The camera bakes these settings into JPEGs and video.

Set it up in camera

    A Lightroom / Camera Raw preset (.xmp) with a tone curve, color grading, per-color saturation and grain. Works on RAW and JPEG files.

    1. Lightroom Classic: Develop → Presets panel → + → Import Presets → choose the .xmp.
    2. Lightroom (desktop): Edit → Presets → … → Import Presets.
    3. Photoshop / Camera Raw: Presets panel → … → Import Profiles & Presets.
    Start from the Adobe Color profile with white balance "As Shot". The preset doesn't change temperature, because a relative temperature shift can't be stored for RAW files. Warmth comes from Color Grading instead.

    A Capture One style (.costyle) with per-channel curves (tone, warmth and split toning) and saturation. Beta: test-import it once and check it in the Curve tool.

    1. Styles and Presets tool → + / … menu → Import → choose the .costyle.
    2. Apply it from User Styles.
    3. Add the extras from the included notes file by hand (grain and per-color saturation in the Color Editor), then save as a new style.

    A 33-point .cube LUT that converts log footage to Rec.709 and applies this look in one step.

    0.0 EV
    This LUT already includes the log-to-Rec.709 conversion, so don't stack it on top of a Sony/official conversion LUT. In Premiere, apply it as the Input LUT or Creative Look with color management off for the clip. In Resolve, apply it on a node with nothing converting before it. Grain and softening aren't in the LUT; add those in your editor.